outside my window

Another couple of small brush pen drawings of things seen in my yard. The tree sketch has some white acrylic ink added. 

This is just a fun exercise: picking the tree or limb of a tree and drying it in whatever manner you can manage... I think I made devote one of my sketchbooks to this practice.

poinsettia

                    16x20

This is about 2 hours of painting. I was getting tired of painting the bracts, so I stopped. About 2 hours to go?

rook

                     8x12

I started painting this rook some time ago. I thought the head turned out well but then became intimidated by all the colors I saw in his back feathers. Picked it up today and did the best I could ... I could probably go back and pick out a few more darks and maybe I will. 

We saw a lot of rooks when we visited the Scottish Highlands, about a year and a half ago. It was my first time being there, my first time in Europe actually, and I can't stop thinking about how much I want to get back to the Highlands.

Also saw my first partridge in Scotland. I looked out the window and there were a whole bunch of them. I thought they were huge pigeons!

birds

A page of pen drawings. These are so relaxing and enjoyable to do.

1 minute paintings of crows.

2 gouache English robins, about 6x6 each. I don't usually paint in gouache--I have a hard time handling it. But maybe little bird paintings will be a good way for me to practice.

eco printing

I took an online eco printing class with Kathy Johnson a couple of months ago and it was so much fun. Kathy made so easy because as part of the class she sent the plant material we'd be using--lots of gorgeous dried flowers.

I wanted to do some eco printing with my friends so we collected some leaves--mostly pear, oak, and maple leaves from my yard, also tried some leaves from my rose, hydrangeas, and purple smoke bushes--and had a session earlier this week. 

There's so many variables in ecoprinting as I guess in any kind of printing. We got some great prints and some weak prints, but we had fun and we're all really looking forward to doing it again.

homework

                        11x15

              ink and watercolor

I've fallen behind in my homework assignments from my art classes.

Above is a sketch of two trees outside my window, influenced by Japanese tree paintings.

It needs something more ... Maybe.

                  7.5x11 sheets

And, for my meditative washes class with SaltyWayerArt, some practice putting down washes and not tampering with them.

Now that they're dry I could go back and try to turn them into more developed scenes ...

But I have other assignments to catch up on!

misc.

Sketches from an east meets west class

And a few photos from walks

amaryllis

                     11x15

An amaryllis painted in class with Megan Swoyer. I always have fun painting with her and her group.

I added one of my cats, Arya, inspired by Elizabeth Blackadder.

.                     11x15

My friend Robin is visiting this week and she joined us and painted this lively painting.

landscapes

Painted from photos I took: above, Hawk Mountain, in Pa., and below, a view from Espanola, NM.

Trying to convey space ...

still life

A small messy still life.

emily carr class

Took a London Drawing Group class on Emily Carr, a Canadian artist maybe best known for her idiosyncratic paintings of trees. Her work reminds me a bit of American Charles Burchfield.

It was a fun class, with timed drawings done with a brush.

nuthatch

                       5x7

Haven't had a chance to do much painting this week, or maybe it's that I'm vacillating about what to paint! 

facades

.                     

Just playing around. Trying to paint a subject without the anxiety of trying to get it right or making it look good.

locust leaves

I picked up some yellow locust leaves on the walk recently and put them in my flower press to dry. When I checked on them they had all fallen off the stems. I thought I'd make a painting of them just as they appeared there; that's the painting below which, I don't know, lacked something.

Then for some reason I decided to make a collage in my phone of two photos of the painting, which is above, and which I kind of like ... 

This is another collage of the two photos which is not as successful. It reminds me of one of those Pennsylvania Dutch signs.

classwork

                                                  10x12

From my seascape class with Patrick Visser. Overwork did a bit and then lost patience. I need to train myself to stop when it's too wet ... I usually just keep adding paint which is pointless; it just diffuses into the paper. I am going to try to make an effort to let the paper dry. I could probably go back into this one when it's completely dry and refine some of the rock shapes and the shoreline. Maybe I will.

My value study: definitely need to make the water in the painting darker. I decided not to add seagulls to the beach because I felt I couldn't get their scale right. 

day 2

The figures on the top photo are from my own photos.

These are all watercolor, with white gouache.

Even though these figures are, to varying degrees, off or wonky, I think they still work. 

I learned a lot on the class, maybe most importantly to just go for it ... Don't try to make it perfect just try to get the proportions those of a human being!

I look forward to practicing this more, and maybe next summer I'll get to the beach more often!

day 1

                    18x24

Took an online class with Peggi Kroll Roberts. I love her paintings, especially of people: they have a simplicity and a convincing solidity about them. 2 days, 2 hours each day: here's what I did on day 1.

green man

My friend Gina and I watched the London Drawing Group video about the green man. 

II wish I had done a little preparation before class, observed some different shaped leaves and such. But I didn't and so I started just sketching some possibilities, above.

Then we worked on these paintings; I still have some work to do on these. 

Was thinking a green man painting might make a good holiday card ...

Then we finished up with some 1 to 2 minute blind contour drawings of different sculptures of the green man to use as a jumping off point for further paintings. 

As usual the contour drawings are my favorites.